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“... John Montague’s Selected Poems reinforce the impression left by his individual volumes: that of a great talent growing increasingly apprehensive at the conditions in which it must be exercised. Since 1958, when his first volume Forms of Exile appeared, he has been renowned for a certain elegance and formality of phrasing, and for a nervous delicacy of rhythm: these bestowing upon his poems an air of fragility which has to survive the often desperate occasions which initiate them ...”

“... school’, with its connotations of deprivation and resilience, crops up in the work of Heaney and Montague, recharged. And when Patrick Kavanagh writes about carting dung to an outlying farm, he remembers a casual labourer and Gaelic poet of the 1750s or thereabouts, who, with his mind inappropriately engaged by literary matters, forgot to empty a cart-load ...”

“... Ireland Renaissance’ is ‘largely a journalistic entity’. Seamus Heaney, Derek Mahon, John Montague, Paul Muldoon, Seamus Deane, Michael Longley and their colleagues are from the North, and they are poets: but they are individual poets, not a school. They are not even two rival schools, though some of them have started fabricating a ...”

“... for the reader of Aogan O Rathaille, the greatest of modern Gaelic poets, a contemporary of Swift. John Jordan’s eloquent and penetrating essay on O Rathaille is one of the best things in the book. Sympathetic to both the Irish and the English literature of that period, Jordan is able to give us a sense of the intimacy and the distance between them ...”

“... artless: they unite poetry and epistemology more deeply and functionally than does, for instance, John Ashbery. When Carver in ‘Summer Fog’ imagines grieving for his wife, instead of vice versa, he instals poetry as the agent of knowing. ‘The Painter and the Fish’, a rich and witty version of Carver’s aesthetic, associates art with the need and lust ...”

“... in 1968. Several of their colleagues are from the North: the poets Seamus Heaney, Seamus Deane, John Montague, Michael Longley. Deane, especially, has been important to them, arguing about Irish literature and the question of tradition, the North, the two languages, the available rhetorics. I have been reading The Crane Bag in association with Hugh ...”

“... Saxon, are momentarily collapsed, in what Heaney, borrowing a phrase from his poetic compatriot John Montague, describes as an escape from the ‘partitioned intellect’ into some larger-spirited, unsectarian country of the mind.It seems a pity to sour this eirenic liberal pluralism. But the ‘partitioned intellect’ in Ireland is not in fact one ...”

“... to ‘a monkey house at feeding time’. It was in the same year, 1951, Deane tells us, that John Montague, also writing in The Bell, called for an end to the apathy which seemed the predominant feeling about cultural matters, and at the same time ‘demanded of his generation that it reflect Catholicism as a living force in Irish life’. His ...”

“... a problem as Heaney’s family grew and grew up. To one of his touchiest correspondents, the poet John Montague, he confessed in 1976: ‘I’m in a furious mess over the housing question. This place is a hellhole because of lack of space … The launderette in Wicklow has closed down, so Marie washes for four of us and herself in the bath.’ The life ...”

“... that is far in advance of political reality. Thus the translations of Frank O’Connor, John Montague and Thomas Kinsella point towards a national identity which is as yet not fully ratified by law and international treaty. This strong and enduring autochthonous tradition of translation is complemented by a more recent interest in translating ...”

“... a Tory ideologue. That day Krugman also went on the BBC’s Hardtalk to take questions from Sarah Montague. A strange theatre ensues whenever Krugman is engaged by a journalist rather than a peer with similar expertise or a politician with actual if undeserved authority. The journalist reminds him of the people who’ve dismissed his ideas and he just shakes ...”

“... is a bit of an old sod.’He is more critical of Donald Davie, saying in a sympathetic letter to John Montague apropos of a bad review that Davie is a ‘grotesquely shrunken silly imitator of Pound’, the receptacle of every other critic’s ‘dud cartridges & empty cases’, ‘the mincy mean know-all kind of little office snot’. His poetry is ...”

“... The first letter​ – five lines written to his father in April 1943 when John McGahern was eight years old – could take an entire book to gloss:Dear Daddy,        Thanks very much for the pictures. I had great fun reading them. Come to see us soon. We got two goats. Uncle Pat does not like them. Will you bring over my bicycle please and games ...”

“... do you carry the King in a common Cedan, as they carry such as have the Plague?”’ John Evelyn, too, had a low opinion of the contraption, ‘it being held a conveyance for voluptuous persons and women of pleasure to their leu’d Rendivozes incognito’. The Covent Garden Morning Frolick (1747), an engraving by Louis Boitard that’s ...”

“... number of the 47 novels to print. A new and complete edition of the letters (edited by N. John Hall) is about to take over from Bradford Booth’s handy but imperfect single volume. A new and definitive biography (by Hall again) is in hand. And there has been an astonishing number of monographs and hardbacked collections of essays on Trollope in the ...”